AMERICAN SOIL
My family farm was recently sold, leaving us with just a few acres—and a renewed connection to the land, especially through my camera. This project explores evolving farming practices, reflecting on my family's agricultural history while documenting the future of diverse land use.
My method? Reverse hitchhiking! I drive down dirt roads, seeking out farmers and asking to spend a day observing and filming their work. I also rely on word-of-mouth recommendations. Each farm gets a short film (one day of shooting, two days of editing) as a final product. I envision screening this anthology across the country, from barns to museums.
I prioritize the evolving relationships I build with each farmer—mirroring my childhood days trailing my father. Those long hours of unspoken connection were the most meaningful. My films similarly capture the intimate details of labor: the interactions with plants, animals, co-workers, and even oneself. Observation is key—I mostly watch and listen, letting the stories unfold naturally.
So far, I've filmed permaculture, small farms, urban gardens, vertical and hydroponic systems, and various livestock and crop practices.
The remaining Harper dryland acres? That story's yet to be told.
Constance Fowlkes. Artist and farmer of multiple species. Rural Pennsylvania.
Jennifer Gleason of Sunflower Sundries. Rural Kentucky. www.sunflowersundries.com